To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.

Science, which is not so attached to 'truth' as it once was, but more to immediate 'effectiveness', is now drifting towards a decline, it's civic fall from grace.

The high level of the technologies used during the Gulf War makes this conflict quite unique, but the very process of de-realization of the war started in 1945. War occured in Kuwait, but it also occured on the screens of the entire world. The site of defeat or victory was not the ground, but the screen.

Of course, one of the most disturbing features is the fact that while we have had roughly a ten year pause in the arms race where a lot of good work was done, this has now come to an end. For what we are seeing at the present time are new developments in anti-missile weaponry, drones, and so on.

The thing about collaborators is that you don't know you are one whereas as a member of the resistance, you do. [In WWII,] the worst cases of collaboration weren't among the real collaborators, that official militia, but among the people at large, who were collaborators without knowing it, by a sort of laxity, an apathy.

I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.

What is going on now, or should happen in one or two generations, is the disintegration of the world. Real time 'live' technologies, cyberreality, will permit the incorporation of the world within oneself. One will be able to read the entire world, just like during the Gulf War. And I will have become the world. The body of the world and my body will be one.