Moreover, it is clear that the era of the information bomb, the era of aerial warfare, the era of the RMA and global surveillance is also the era of the integral accident.

The simulator is the stage in-between television and virtual reality, a moment, a phase. The simulator is a moment that leads to cyberspace, that is to say, to the process because of which we now have two bottles instead of one. I might not see this virtual bottle, but I can feel it. It is settled within reality. This explains why the word virtual reality is more important than the word cyberspace, which is more poetic.

There are eyes everywhere. No blind spot left. What shall we dream of when everything becomes visible? We'll dream of being blind.

Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.

Sovereignty no longer resides in the territory itself, but in the control of the territory. And localisation is an inherent part of that territorial control.

Art is drama. Any relationship to art is also a relationship to death.

Today, almost all-current technologies put the speed of light to work.