Of course, one of the most disturbing features is the fact that while we have had roughly a ten year pause in the arms race where a lot of good work was done, this has now come to an end. For what we are seeing at the present time are new developments in anti-missile weaponry, drones, and so on.

Nowadays, the tragedy of war is mediated through technology. It is no longer mediated through a human being with moral responsibilities.

The media is more concerned with what we feel about the refugees and so on rather than what we think about them.

Sovereignty no longer resides in the territory itself, but in the control of the territory. And localisation is an inherent part of that territorial control.

I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.

The ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy. This is also why society as a whole has no control over technological developments. And this is one of the gravest threats to democracy in the near future. It is, then, imperative to develop a democratic technological culture.

It was a total and absolute surprise to find out that what was inside the concentration camps was a sea of skeletons. What is clear to me, therefore, is that while the tragedy of war grinds on, the contemporary aesthetics of the tragedy seem not only confused but, in some way, suspicious.