In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.

Television is a media of crisis, which means that television is a media of accidents.

Television was first conceived to be used as some kind of telescope, not for broadcasting. Originally, Sworkin, the inventor of television, wanted to settle cameras on rockets so that it would be possible to watch the sky.

A museum of accidents is needed. This museum already exists, it's television.

If we look at the Gulf War, the same is also true. Indeed, my work on the logistics of perception and the Gulf War was so accurate that I was even asked to discuss it with high-ranking French military officers. They asked me: 'how is it that you wrote that book in 1984 and now it's happening for real?' My answer was: 'the problem is not mine but yours: you have not been doing your job properly!'

Concepts are mental images.

You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.