In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.

An artist or writer always has to move forward. All the time you're trying to improve yourself, or at least look at ways to improve things or make things better. I'm not really one to harp on previous records. I'm always looking forward to what I'm doing now, and what's ahead.

I never get too many problems. You can never please everyone anyway, obviously. And some people take the easy route and just play the greatest hits, and their audience is happy to hear that as well, and that's fine, but it wouldn't please me. But it doesn't trouble me.

Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.

Young people can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well. They don't feel the need to own it. They certainly don't feel the need to pay for it. I'd have to save up for weeks to buy an album when I was a kid, and that made it even more great for me when I finally got that thing in my hand.

It's important to know all those things, but part of our jobs is to move people along and to make people excited to buy music or buy clothes, and give them enjoyment, I think, too.

There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.