People say you make your best work when in despair, but I think happiness is a good place to write from.

For me, my entry point, when I was old enough, was the skinhead/suedehead thing, sort of like '70/'71. People didn't have much money - they would save up, or whatever - but everyone always dressed up. You'd go to a dance at the football club on a Thursday night and all of us kids - all of us from maybe like 12 to 16 - were all dressed up.

The whole nostalgia thing, and just sticking with what you always liked and what you know and not taking a chance on something or expanding. I think especially after a certain age.

When I discovered blues - I was 12-years-old - I didn't discover it in America where it was from; I discovered it from Fleetwood Mac - the original Peter Green Fleetwood Mac, Saveloy Brown - like British blues interpretations of it,' which then, when I started the liner notes and seeing all these names, I was like, 'Who's Willie Dixon?' Then I go to the record store and ask the guy there and he goes, 'Oh, you don't know anything.' And so, to me, that's the root of most of it anyway.

I still love playing music. It was all I ever wanted to do, and I got the chance to do it.

I'm very, very open to experimenting with different people and trying to find different methods of writing and making music.

I don't know if there's any formula. I'm not sure I believe in that, to be honest. I don't know if there's any rhyme or reason to music. Sometimes it hits and sometimes it doesn't, really.