Being a musician is a noble profession.

For me, there's always an early-'70s sense. There's always a sprinkle of it - if I do it exactly like that, sometimes it becomes too costume-y or too thought out. But the influences are there, without a doubt, always, because to me, that was the part that I also felt was the most defining of my own personality and my own style, and I also think that it's timeless. You never look wrong.

If we get through for two minutes only it will be a start!

I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand; it just makes sense.

So much is filtered by pop music today, because the music industry is driven by single, single, single, single, the next single, not the nurturing of artists and that kind of thing.

I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.

Today, we're even into the whole sweat thing. They'll wear a [suit] jacket like this, but they'll wear it with sweat pants and sneakers. But I do think there is every generation - and it won't be as big as it was when you and I were those ages - but every generation all of a sudden experiences that they want to dress up.