My father brought me a box of books once when I was about three and a half or four. I remember the carton they were in and the covers with illustrations by Newell C. Wyeth.

we are, in this country, more open to new ideas. But we are also, it seems to me, more inclined to hail the new as absolute truth - until the next new comes along.

And what movies we saw! All the actors and actresses whose photographs I collected, with their look of eternity! Their radiance, their eyes, their faces, their voices, the suavity of their movements! Their clothes! Even in prison movies, the stars shone in their prison clothes as if tailors had accompanied them in their downfall.

A year and a half after the end of the war and the German occupation, Paris was muted and looked bruised and forlorn. Everywhere I went, I sensed the tracks of the wolf that had tried to devour the city. But Paris proved inedible, as it had been ever since its tribal beginnings on an island in the Seine, the Ile de la Cité.

You'll see some bad things, but if you didn't see them, they'd still be happening.

When I begin a story at my desk, the window to my back, the path is not there. As I start to walk, I make the path.

Labels not only free us from the obligation to think creatively; they numb our sensibilities, our power to feel. During the Vietnam War, the phrase body count entered our vocabulary. It is an ambiguous phrase, inorganic, even faintly sporty. It distanced us from the painful reality of corpses, of dead, mutilated people.