In Paris, you couldn't really turn around without seeing the result of lovers' bad decisions. An artist given to sexual excess was almost a cliché, but no one seemed to mind. As long as you were making something good or interesting or sensational, you could have as many lovers as you wanted and ruin them all.

And sometimes I think there isn’t anything to us but our mistakes.

But when Bumby nursed, his fist clutching the fabric of my robe, his eyes soft and bottomless and locked on mine, as if I were the very heart of his universe, I couldn't help but melt into him.

Knowing he was suffering pained me. That’s the way love tangles you up. I couldn’t stop loving him, and couldn’t shut off the feelings of wanting to care for him— but I also didn’t have to run to answer his letters. I was hurting, too, and no one was running to me.

Ernest once told me that the word paradise was a Persian words that meant walled garden. I knew then that he understood how necessary the promises we made to each other were to our happiness. You couldn't have real freedom unless you knew were the walls were and tended to them. We could lean on the walls because they existed; they existed because we leaned on them.

Maybe happiness was an hourglass already running out, the grains tipping, sifting past each other. Maybe it was a state of mind.

I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.