The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.

I want to give colors intoxication, fullness, excitement, power by trying to forget Impressionism.

I love color. It must submit to me. And I love art. I kneel before it, and it must become mine. Everything around me glows with passion. Every day reveals a new red flower, glowing, scarlet red. Everyone around me carries them. Some wear them quietly hidden in their hearts. And they are like poppies just opening, of which one can see only here and there a hint of red petal peeking out from the green bud.

The Louvre! The Louvre has me in its clutches. Every time I'm there rich blessings rain down upon me. I am coming to understand Titian more and more and learning to love him. And then there is Botticelli's sweet Madonna, with red roses behind her, standing against a blue-green sky. And Fiesole with his poignant little biblical stories, so simply told, often so glorious in their colors.

I believe that one should not think too much about nature when painting, at least not during the painting's conception. The colour sketch should be made exactly as one has perceived things in nature. But personal feeling is the main thing.

In art one is usually totally alone with oneself.

Lack of money rivets us firmly to the ground, one's wings are clipped.