A mouse and a keyboard is not a good performance instrument.

I had to cope with attitudes that were not supportive all along. I mean, you still have that.

There is a book called San Francisco Tape Music Centre:1960s Counterculture and the Avant-Garde and this book describes everything that you want to know or don't want to know about it, with a lot of documentation.

Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.

A mouse and a keyboard is not a good performance instrument.

The mission [of institution] won't change. It will continue to be what it is: to spread the practice of deep listening and introduce it to people, to do workshops and retreats and certification programs and so on.

Listen to everything all the time and remind yourself when you are not listening.