After a long section of the glass playing, you'll hear an instrumental sound emerge from some undisclosed location. There'll be a lot of mystery about the sound, I think.

I can't really deal with buttons. And that's what I keep saying, "Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand!" .

A mouse and a keyboard is not a good performance instrument.

The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].

When I composed the first sonic meditation, I realized that I was composing the direction of attention.

Listen to everything all the time and remind yourself when you are not listening.

In my Deep Listening class at RPI, I always do an hour of energy exercises to start with. Then we do a listening meditation after that, after the body has been loosened up and warmed up and is ready. We do the listening. After that, there's the journaling of the experience, which they do each time throughout the semester to the point that I have them write a final paper on what they've experienced.