When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Pedro AlmodovarI used this line to demonstrate how important colors are in movies: It's not a caprice.
Pedro AlmodovarI think dรฉcor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
Pedro AlmodovarI make movies for my needs. My goal has never, never, never been to make shocking movie.
Pedro AlmodovarOnce we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.
Pedro Almodovar