the older I am, the more I refuse to treat my work as therapy and the more I think it's less honest to do that, less about acting. When I was younger, I sometimes used personal things in creating characters, to the point where I thought maybe it was a little bit dangerous - at least for me. But I don't feel that somebody can only be good in a character if they are really becoming that person or really suffering.

I want to work with Johnny Depp.

To be able to explore the genre of the musical is nice. It was great to be able to sing professionally, for the first time, and dance, which was something that I did growing up, but I had not done for many, many years.

If we continue on the path we're on, there simply won't be enough fresh water for everyone.

Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.

I'm strong and opinionated. Those qualities brought me a lot of problems since I was a little girl in school, saying 'I don't agree' and fighting with the children. It's part of my curiosity for life.

I came to New York to study ballet and English.