We had a great connection with Pedro Almodovar from the beginning. Even before I met him, it was so strange. I felt like I already knew him. I loved him even before I met him. It was so powerful. And when I looked at him in the eyes, this was the feeling that I knew I was going to have with him. It gets bigger and bigger every day. I adore him. It's much more than working together. He's a really special person in my life.

There's so much more I want to do. I refuse to get to 50 and wait at home for the phone to ring. In Spain, actresses work until they are old. That's my plan.

For 'Vicky Cristina Barcelona,' for example, Woody Allen is one of the greatest American directors, and we really had a very good working relationship. We understand each other really well. He gave me one of the best opportunities somebody has ever given me in my career.

It is a revolutionary experience. That's the best way I can describe it. It transforms you completely, in a second. Nature is very wise and gives you nine months to prepare, but in that moment-when you see that face, you are transformed forever.

It's very much like a torture sometimes, the process of trying to get rid of an accent.

I have a strong personality, and I say what I think.

The discipline that ballet requires is obsessive. And only the ones who dedicate their whole lives are able to make it. Your toenails fall off and you peel them away and then you're asked to dance again and keep smiling. I wanted to become a professional ballet dancer.