You have this comet trail of your own lived life, sparks from which arrive in the head all the time, whether you want them or not - life has been lived but it is still all going on, in the mind for better and for worse.

There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.

I do like to embed a fictional character firmly in an occupation.

People die, but money never does.

The place didn't look the same but it felt the same; sensations clutched and transformed me. I stood outside some concrete and plate-glass tower-block, picked a handful of eucalyptus leaves from a branch, crushed them in my hand, smelt, and tears came to my eyes. Sixty-seven-year-old Claudia, on a pavement awash with packaged American matrons, crying not in grief but in wonder that nothing is ever lost, that everything can be retrieved, that a lifetime is not linear but instant. That, inside the head, everything happens at once.

I rather like getting away from fiction.

Unless I am a part of everything I am nothing.