Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.

I feel that a documentarian has an obligation to tell the truth as he or she interprets it. And what I mean by that is that documentarians don't necessarily have the same sort of obligations that a journalist might have. A journalist might be called upon to be objective, whereas a documentarian is sort of forced to take sides.

I live on this nice three acres in Hollywood.

When men have money and power they get turned on, sexually. They get horny as hell. Can't imagine why, though.

Nobody wanted to touch Decline III when they found out what it was about.

If you are looking for a producer, try to contact established producers. Don't let the fear of theft paralyze you, or you will never get anywhere with it.

Those movies, Decline I and II and Suburbia, are dearly loved, but they never made any money. I didn't even have the rights for some of them.