I was deeply impressed and moved by his masterful playing. He was highly polished, profound, subtle, and intense. He was extremely fluent in a great combination of the traditional vernacular with his own. Hearing it unfold and being in a position to participate was a great pleasure. Part of being an accompanist is that the stronger the soloist, the more I can do all that I know to do. So, Joe was as good as it gets.

I was deeply impressed and moved by his masterful playing. He was highly polished, profound, subtle, and intense. He was extremely fluent in a great combination of the traditional vernacular with his own. Hearing it unfold and being in a position to participate was a great pleasure. Part of being an accompanist is that the stronger the soloist, the more I can do all that I know to do. So, Joe was as good as it gets.

What I love about Sonny's playing is that he is so inventive within the mainstream Jazz vernacular. Because he knows so many ways to deal with musical material, he is never repetitive and hasn't had to invent a new language. Also, he never asked me to do anything but swing!

Fusion has been my nemesis.

Free music is in a constant state of surprise and, consequently, presents no surprise at all. So, I'm not really a fan of Free music. Having said that, Jazz is based on individual expression and I'm compelled to respect the Free player's option to express himself as he chooses.