He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.

I came along and was a teenager in the Depression, and nobody had jobs. So I went out hitchhiking, when I met a man named Woody Guthrie. He was the single biggest part of my education.

I live in the country, so I get a fair amount of exercise. We heat our house with wood, so I split wood. We also live on a steep hill, and I have to rake and put in cross-stitches to keep the road from washing out when there's a big rain.

And the people in the houses All went to the University And they got put in boxes Little boxes all the same, Little boxes all the same, Little boxes all the same, Little boxes all the same And they all come out all the same.

Down through the centuries, this trick has been tried by various establishments throughout the world. They force people to get involved in the kind of examination that has only one aim and that is to stamp out dissent.

I have sung in hobo jungles, and I have sung for the Rockefellers, and I am proud that I have never refused to sing for anybody.

People are combining traditions like never before and finding somehow a fundamental unity for this human race of ours. I think working with each other as Jeff Haynes has done here-we may be surprised to find what deeper unity all human beings have.