I love my country very dearly, and I greatly resent the implication that some of the places I have sung and some of the people that I have known, and some of my opinions, whether they are religious or philosophical, or I might be a vegetarian, make me any less of an American.

I write a song because I want to. I think the moment you start writing it to make money, you're starting to kill yourself artistically.

People are combining traditions like never before and finding somehow a fundamental unity for this human race of ours. I think working with each other as Jeff Haynes has done here-we may be surprised to find what deeper unity all human beings have.

I'd like to be remembered as the sower of seeds. That's the greatest parable in the bible as far as I'm concerned. Some seeds fall in the pathway, get stomped on and don't grow. Some fall on the stones and don't even sprout, but others fall on the ground and multiply a thousand fold.

Make the kind of music you love even if you never hear it on the air. This was the basic lesson I'd gotten from Alan [Lomax]. Alan said, Pete, look at all this great music around. You never hear it on the radio, but it's right there, great music.

I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.

Historically, I believe I was correct in refusing to answer their questions.