I came from an intellectual family. Most were doctors, preachers, teachers, businessmen. My grandfather was a small businessman. His father was an abolitionist doctor, and his father was an immigrant from Germany.

After visits to several Communist countries (USSR, Poland, Czechoslovakia, Slovenia, East Germany, Vietnam, China, Cuba), I feel strongly that most "revolutionary" types around the world don't realize the importance of freedom of the press and the air, a right to peaceably assemble and discuss anything, including the dangers of such discussions.

In the sixties, during the Vietnam war, when anarchists and pacifists and socialists, Democrats and Republicans, decent-hearted Americans, all recoiled with horror at the bloodbath, we came together.

The danger with the internet is that you don't need to think about music, you just search for it and you find the answer. Singing used to be part of everyday life. Women sang while pounding corn. Men sang while paddling canoes.

I'm still a communist in the sense that I don't believe the world will survive with the rich getting richer and the poor getting poorer - I think that the pressures will get so tremendous that the social contract will just come apart.

He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.

I'm not sure if my involvement in causes, benefits, marches, and demonstrations has made a huge difference, but I know one thing: that involvement has connected me with the good people: people with the live hearts, the live eyes, the live heads.