What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.

I know how it feels to be a woman because I am a woman. And I won't be classified as just a man.

Any fool can hide, few can play.

I've learned a huge amount because I've been tested and, more importantly, I've been trusted.

Give blood, but you may find that blood is not enough.

There's a man upon that ledge, he's only cleaning windows. What a shame for the pain we're missing. Gonna lean back on my wall and pray for him to fall.

The problem for me, still today, is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.