I don't believe necessarily the past is in the past. It's eternal, it's all around us.

Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to demanding from a composer that he or she write only string quartets or piano sonatas.

What captivity has been to the Jews, exile has been to the Irish. For us, the romance of our native land begins only after we have left home; it is really only with other people that we become Irishmen.

Every book for me is a chapter in the long book which will finally be closed on the day of my death.

I enjoyed reading and learning at school, and at university I enjoyed extending my reading and learning. Once I left Cambridge, I went to Yale as a fellow. I spent two years there. After that, George Gale made me literary editor of 'The Spectator.

London' is a gallery of sensation of impressions. It is a history of London in a thematic rather than a chronological sense with chapters of the history of smells, the history of silence, and the history of light. I have described the book as a labyrinth, and in that sense in complements my description of London itself.

Under the force of the imagination, nature itself is changed.