For decades I'd flit from drawing table to typewriter to guitar with no sense of strain or contradiction. They all exercised the same psychic muscle (the Imagination), and working in one medium refreshed my appetite for the others.

I'm not a visionary, but I've spent half my life drawing things Imagined, Remembered, and Observed, comparing the differences between them, and my study confirms that "the difference between night and day / is not as great as people say."

My ignorance would require a volume to itself. Between its covers would be preserved a record of the spurious model of all creation I had in my head, a prelapsarian construct, uncorrupted by the facts.

I remember Bob Dylan saying in an interview that at a certain point he'd had to learn to do consciously what he'd previously done unconsciously or automatically. That resonates.

One of the beauties of working in radio is the way a whole setting can be richly evoked simply by the addition to the track of a little birdsong and a church bell in the distance.

Some songs seem to achieve the quality of a geometric object - a ball, box, or cone - and I don't mess with 'em.

Songs came first. I started out in 1965 trying to copy the Beatles, Bob Dylan, and the Stones, like most kids I knew. I'm still trying. Songs are hard to beat.