Tradition itself, in times of dogmatism and dogmatic revolution, is a revolutionary force which must be safeguarded.

Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.

In the theatre, every form once born is mortal; every form must be reconceived, and its new conception will bear the marks of all the influences that surround it.

The purpose of theatre is... making an event in which a group of fragments are sudde nly brought together... in a community which, by the natural laws that make every community, gradually breaks up... At certain moments this fragmented world comes together and for a certain time it can rediscover the marvel of organic life ... The marvel of being one.

It takes a long while for a director to cease thinking in terms of the result he desires and instead concentrate on discovering the source of energy in the actor from which true impulses arise.

The work of rehearsal is looking for meaning and then making it meaningful.

A stage space has two rules: (1) Anything can happen and (2) Something must happen.