I love Trinidad and I love living there, but it's quite harsh.
Seeing a play, listening to music - you'll always contextualize it in your own way. Whoever you are, wherever you are; I think that's really important.
There could be a hundred paintings in every one painting, depending on when you stop.
As an artist, you are aware there is this strange money market out there, but you have no sense of how it works.
Painting becomes interesting when it becomes timeless.
I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.