Holding still for a moment, what a moment this is, Oh for a moment of forgetting, a moment of bliss

When we started OD2 in 1999, we were really expecting to work more with independents and so on because the major labels were spending millions on their own Pressplay and equivalents online, which haven't been very successful.

One doubt, one voice, one war, one truth, one dream.

Whenever there's a camera around, a video or film camera, it's a great deal harder for those in power to bury the story.

With this darkness all around me, I like to be liked. In this emptiness and fear, I want to be wanted. Cause I love to be loved.

One thing that really appeals to me is this idea of music being a living thing that has an evolution that, in a way, enables the artist to sell a process rather than a piece of product.

I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.