I think that's the job of a director really, to sort of funnel all the creativity into one centralized point of being.

I don't believe in the concept that 3D should be shot separately. I mean, every director has their own style, sure, but I don't think any of that is really an issue with 3D.

What I love about films is that you can see "King Kong" and you can be affected by it and then you realize that he was just this little guy when he made that fall.

The music in a film like this is as critical as anything because Kong is mute. He doesn't talk.

In an ideal world the script is written lean and tight and therefore there are no scenes left on the cuttring room floor and therefore no extended edition.

If you work at love, you will find love at work.

I think that you can treat a classic like a museum piece -stuffed and mounted- or you can make it a living, breathing narrative that is unfolding right then and there.