There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance.

The big-budget blockbuster is becoming one of the most dependable forms of filmmaking.

What I love about films is that you can see "King Kong" and you can be affected by it and then you realize that he was just this little guy when he made that fall.

What I don't like are pompous, pretentious movies.

Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.

As human beings, we always have resistance against things that are different and there's always suspicion.

I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.