I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning.

Rivalry doesn't help anybody.

I think 3D at 24 frames is interesting, but it's the 48 that actually allows 3D to achieve the potential that it can achieve, because it's less eye strain and you have a sharper picture which creates more of a 3-dimensional world.

The director has to win, because you should never force a director to shoot something they don't believe in.

The one thing with 3D presentations is I think that 3D itself, whether it's 24 or 48, is at a very interesting point in time.

New Zealand is not used to wealth. In America wealth is kind of a thing of pride. Here it's the opposite. The more you've got, the bigger the target you are.

Remember, pain is temporary; film is forever.