I always loved doing productions in school. In college, I started getting a little more serious.

People would stop me in the street - my demographic tends to be the elderly Jewish women from Miami; I think they tend to fancy me as someone that would've been good with their daughter or something - and a lot of them will do the wrist-slapping thing. "Oh, you're a terrible man! Just terrible!" And I'm, like, "Well, it's just a show. I'm just playing a character."

I always enjoy being the obvious homunculus of the pair.

I lived in New York, and I was the guy who was flying home almost every week, so there was a physical exhaustion and an emotional exhaustion for me, and a need to be home more.

Every actor wants to know in different ways. Some like to know everything. Some don't want to know anything. I think I land somewhere in the middle.

If it's a good role, I'm happy to play it.

Some friends of mine in the class ahead of me in college were auditioning for graduate school in New York, and then a few of them got into Juilliard, and it sort of opened my eyes. I didn't really know anything about it, but it opened my eyes to a possible next step after school, where I could just deepen my knowledge and also not be responsible for life and stay in school.