My feeling is that for years now it has taken a much too big part in how women are being visually defined today. Heartless retouching should not be the chosen tool to represent women in the beginning of this century.

I started photography more or less by accident when I was already 27. I was taken on as an assistant by a photographer who was a friend of a friend and I very quickly understood the potential of expression in photography.

The photographer, even in fashion and portraiture, has to have a standpoint. It's important to know what you stand for, no? Most people just take pictures but they stand for nothing. They follow trends and don't know why.

I don't collect art at all. I'm fascinated by art. I receive a lot of presents. My house is full of things, but I am not a collector; it's just that people I work for, and friends, give me a lot of things. There are pictures all over the walls, sculptures, mobiles and paintings. I am embarrassed because I wonder what I should do with them.

I didn't take inspiration from other photographers, which in a way helped to find my own images.

A photographer is a photographer and an artist is an artist. I don't believe in labels or titles. Why should a painter or sculptor who has probably never challenged the rules be an artist just because his title and an art school education automatically make him one.

In the beginning of my twenties, I started transcendental meditation. For years I did nothing else. Every holiday I went to courses. Meditation is a real simple instrument. You don't need a long beard or a sari. It's meant to bring you to yourself. It's as easy as that. And that's what it's all about, being alone with yourself every day, for 20 minutes in the morning and 20 minutes in the evening.