I recently did a piece for the Boston Pops and John Williams, and I hope that it's as well a composed piece as I've ever done for any other medium or occasion.

I know what I want at least, and the older I get I think I'm better at getting it out of players and singers.

At the moment, in Britain we're facing such enormous cutbacks in education programs and music programs and art programs that you feel you are knocking your head against a brick wall.

An audience shouldn't listen with complacency.

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

There’s no card, business card, better than a compact disc for a composer. It doesn’t half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc

You can't pander to your audience. You might in the short term, but ultimately you can't hoodwink them, either.