I'm obviously very keen on the theater and I think it's inevitable that some of the orchestral and chamber pieces have got dramatic elements which might even suggest an unspecified dramatic plot of some kind or other, even though it's not in my mind at the time.

An audience shouldn't listen with complacency.

If you don't get feedback from your performers and your audience, you're going to be working in a vacuum.

There’s no card, business card, better than a compact disc for a composer. It doesn’t half impress people and they get a long way on it ... these composers they will get more performances, more commissions, more recognition just by having that disc

Recently I've been participating in radio and television talk programs doing broadcasts and conferences, and shooting my mouth off and really going to town.

At the moment, in Britain we're facing such enormous cutbacks in education programs and music programs and art programs that you feel you are knocking your head against a brick wall.

I'm not actually teaching any more, but I am writing pieces for schools all the time, and for kids.