Think about the photo you want to make beforehand. Then do it, but also don't be blind to better options that present themselves at the location. Be flexible, and be patient. Leave ego at home. Get the photo before you yell at the asshole, not after.

I like to move as much as possible and look at reflections, weird angles, subjects from airplanes and cranes. I feel sorry for the Jabba the Hut types who can't do this. Once an obese student told me that he wanted to be a war photographer. I said, "Really?" and then I shot him.

With the Internet, you can get lots of info in advance, but a local person who knows how to work the system is invaluable.

Europeans still read rather than watching TV or listening to their clergyman tell them how to vote. The European magazines are far superior to American magazines in content and readership, but TV is taking a bite out of circulation now even in Europe.

The summer of 1966, I hitch-hiked alone for two months all over Europe instead of working on a farm in Spain. It was a big game to see how much I could see on $400. This got me hooked on traveling.

To me a translator is very, very important. If the fixer is also the translator, so much the better. I have known photographers who didn't speak the language and would work in a place for weeks without one, getting by on common sense and smiles. But how many situations did they miss because they couldn't talk to someone and get the back story on details, small daily life things, etc.

It is so much better to get the right exposure than to have to mess around later with Photoshop.