The relationship between an actress and her director is often a very close one.

It seems to me that everybody who's a success has made a decision to put themselves in a situation that eats away at their privacy. Their hours just don't end. Now, with actors it's extreme, because their privacy is almost nonexistent.

Hollywood is a cottage industry involving a very small number of people, and around the edges are enormous numbers of people trying to get into it and work.

When talking about unicorns, minotaurs, or compassionate conservatives, one does not normally have to prove their non-existence; the mere lack of any evidence is sufficient reason not to believe in any of them.

Disease, a simple famine, plagues of locusts everywhere, or a cataclysmic earthquake, I'd accept with some despair, but no, you sent us Congress! Good God, Sir, was that fair?

Belonging to the Dramatists Guild Council where, with my fellow dramatists, I can directly affect (and protect) the professional lives of all American Playwrights has always made me feel that I am returning as much to the theatre as I withdraw. Because only playwrights can ensure the well-being of playwrights. No one else will do it for us.

You listen to the audience. The audience is wrong individually and always right collectively. If they don't laugh, it isn't funny. If they cough, it isn't interesting. If they walk out, you are in trouble.