The relationship between an actress and her director is often a very close one.

For writers that rehearsal period is death. It is the most destructive thing of all to a script.

There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.

Disease, a simple famine, plagues of locusts everywhere, or a cataclysmic earthquake, I'd accept with some despair, but no, you sent us Congress! Good God, Sir, was that fair?

Belonging to the Dramatists Guild Council where, with my fellow dramatists, I can directly affect (and protect) the professional lives of all American Playwrights has always made me feel that I am returning as much to the theatre as I withdraw. Because only playwrights can ensure the well-being of playwrights. No one else will do it for us.

Hollywood is a cottage industry involving a very small number of people, and around the edges are enormous numbers of people trying to get into it and work.

It seems to me that everybody who's a success has made a decision to put themselves in a situation that eats away at their privacy. Their hours just don't end. Now, with actors it's extreme, because their privacy is almost nonexistent.