When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.

I've been very lucky and fortunate to meet people that are very inspirational in their spirits, too, and not just as filmmakers - in their personal life. I mean, Steven Spielberg is very inspirational just to sit down and talk for an hour, like Ingmar Bergman was. They know so much about life and, you know, movie-making, so it's just wonderful to be around those people.

If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before.

I love to fantasize still, as I did as a little boy. If I see a movie, I want to fantasize about what it's all about.

Arnold Schwarzenegger, Bruce Willis, they make bad movie after bad movie.

When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.

My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.