My mentor, [Ingmar] Bergman, when we worked on stage, he said you can't convince a thousand people at the big stage where we were working. You can't convince everybody, but just pick one every night that you perform for and make sure that he or she will have an experience that alters their life in a more positive way. So, just one every night. That's worth all the struggle and screaming.

If you do a character, always make the character with a big question mark. Even if the character is very enigmatic and all over the place, make him always with a question mark, because if you turn a question mark upside down, like they do in South America in Spanish, then it becomes a hook.

Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.

I dislike those people that see an opera and say "Oh, they can't act it. They just sing. It's boring." Lean back and just listen to the voices.

If I had the money, I would love to open up a movie theater that just played images and colors and beautiful music. For me, there's nothing like listening to a beautiful opera sometimes - on a record or seeing it live - just to be sleepy and let those beautiful voices take me somewhere I've never been before.

When you introduce a character and show him for the first time, don't show him fully lit. Don't show him one hundred percent to the audience. Show maybe fifty percent or sixty percent so the audience can fill in the dark spots.

As an actor, you have to do things out of passion sometimes. I'm not in it for a lot of money. But I only need one car, and I'd rather work with people I really do respect and admire. And if you walk that path, you don't get written about too much in the tabloids, and I'm good with that.