I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.

Sometimes it's nice to think, "Oh, I can only do this one thing." Instead of feeling like, "I could theoretically, maybe, if I applied myself, could be successful in a number of different fields." That can be overwhelming. Sometimes it's nice to have this myopic vision for your life and that's the only thing you can imagine yourself doing.

I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.

When father was younger than me he came to New York to be in musicals and was in a number of them. But he, at that time in his life, didn't feel he could fully commit to a creative life - he had this voice in the back of his head that said, "I need to make money." So that propelled him to open up an ice cream parlor, which then spawned into a number of different food businesses and took over his life for 20 years.

I took ballet for two years in high school and then in college on and off, and I went back into class. I'm nowhere near good enough to be a professional, but it's great to be in that environment. The discipline is so impressive.

If you feel like you're working with good people, you give them your humanity and just let it happen.

It's always nice to have a large role, but if it's a great small part, those can be so much fun. Size is less important than quality, always.