I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.

Sometimes it's nice to think, "Oh, I can only do this one thing." Instead of feeling like, "I could theoretically, maybe, if I applied myself, could be successful in a number of different fields." That can be overwhelming. Sometimes it's nice to have this myopic vision for your life and that's the only thing you can imagine yourself doing.

My father is also gifted at business, which is a blessing and a curse, because if you have the kind of mind that he does where you can do anything very well, that in its own way is sort of limiting.

I took ballet for two years in high school and then in college on and off, and I went back into class. I'm nowhere near good enough to be a professional, but it's great to be in that environment. The discipline is so impressive.

When I step back from any moment of crisis that I've ever had, I'm always struck by how humor and tragedy can kind of live in the same moment, holding hands together. How life can go from the ridiculous to the sublime to the tragic all in one breath.

I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.

It's always nice to have a large role, but if it's a great small part, those can be so much fun. Size is less important than quality, always.