I did my friend's film - this guy Harrison Atkins who's a great filmmaker. He just makes movies with all his friends, and I think that's all what we're striving for - to feel like we're among friends and people who care about each other. I'd like to think that good work comes from that - from a sort of loving and friendly environment.

Seeing a movie you're in is nothing like seeing a movie you're not in.

I was born in the West Village in New York, and then when I was about four my family moved to what they joke is the suburbs, the Upper West Side. I lived there for most of my childhood.

My father is also gifted at business, which is a blessing and a curse, because if you have the kind of mind that he does where you can do anything very well, that in its own way is sort of limiting.

If you're in something and you feel like it's not going well, what can you do about that? It's out of your hands. No matter what you do, you're not going to fix that as an actor.

I was really able to confirm something that I knew on some level before I'd made a film. The best actors know how to really relax. Because in film, a lot of the decisions are made in the editing room, so when you're trying to guide your performance too much - always it's a push and pull because you can't be too relaxed. Too relaxed and it's like, "What are you doing?" Too tense and it's not good either.

I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.