I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
Peter van AgtmaelSometimes the picture is more interesting than what is going on. Sometimes the picture is suggestive of greater things in society or the history of what might be connected to the theme in the pictures and those are worth exploring.
Peter van AgtmaelIt was sometimes provoked by assignments, then I'd go back on my own dime if I really clicked with a place. And sometimes it was just hanging out with my family or friends.
Peter van AgtmaelWhat I was doing for those assignments wasn't always directly tied to what I was doing for myself, but it gave me the space to photograph. I started getting assignments that dealt with my own interests and made some pictures in that direction.
Peter van AgtmaelYou find [reverberations from 9/11 ] in them most unexpected places, like graffiti on a wall. Sometimes it's a faded picture; sometimes it's a newspaper tacked to a wall. Sometimes it's weird paraphernalia related to it, home constructed paraphernalia. It resonates through society and continues to resonate today.
Peter van AgtmaelI went out to cover the wars in Iraq and Afghanistan fundamentally [in Buzzing at the Sill] because I was interested in war as a notion and in experiencing it. I was interested in history and how societies form. I was interested in the recent history of what had provoked these wars. So when I finally got out there, I was really seeing the wars through the American perspective, much more than through being embedded with American soldiers and Marines.
Peter van Agtmael