The big question that everyone is asking themselves, or what they should be asking themselves right now, is what role has the media played in not just missing a certain part of American society that wanted to vote for, say, Donald Trump, but what role has the media played in dehumanizing other people and helping create these conditions that people are so afraid of, say, Muslims and extremism?

[The Middle East conflict ] just kind of ran its course for me. For a long time I could justify doing it to myself, no matter how irrational it was. It was important to me and my work. And I just don't feel it in the same way any more. When it comes up and it's important to me, I'll do it, but more out of sense of duty than desire - which used to be a big part of it.

I began to explore America in more general terms. I really started this work in 2009. I got the bulk of it done as I was easing out of Disco Night.

It was sometimes provoked by assignments, then I'd go back on my own dime if I really clicked with a place. And sometimes it was just hanging out with my family or friends.

I went out to cover the wars in Iraq and Afghanistan fundamentally [in Buzzing at the Sill] because I was interested in war as a notion and in experiencing it. I was interested in history and how societies form. I was interested in the recent history of what had provoked these wars. So when I finally got out there, I was really seeing the wars through the American perspective, much more than through being embedded with American soldiers and Marines.

The big question that everyone is asking themselves, or what they should be asking themselves right now, is what role has the media played in not just missing a certain part of American society that wanted to vote for, say, Donald Trump, but what role has the media played in dehumanizing other people and helping create these conditions that people are so afraid of, say, Muslims and extremism?

At first Disco Night wasn't meant to be a book, although I'm always thinking about that in the back of my mind. It started off as a series of exploratory road trips that I was doing with Christian Hansen, who I dedicated the book to.