I seem to have emerged from the relative obscurity of TV.

You begin to understand, as a filmmaker, that there are different ways of approaching things. Everything doesn't have to be quick cut, like MTV.

Sometimes beauty can be a trap.

I wanted to actually make people look at a painting. We don't look at paintings that much. We glance at them.

You can't always do exactly what you want, and often compromises have to be made.

I don't want people to pigeonhole me.

My most famous drama in England is quite controversial. It's something called Men Only, and it's rather a shocking exploration of male sexuality.