I think there's a real problem if you're making a film - some people have done whether it be about Jackson Pollock or about Picasso - it's difficult for actors, because they have to impersonate a person whose image is very strong in our memories or in our consciousness. It's something that's very tricky, I think.

You begin to understand, as a filmmaker, that there are different ways of approaching things. Everything doesn't have to be quick cut, like MTV.

My most famous drama in England is quite controversial. It's something called Men Only, and it's rather a shocking exploration of male sexuality.

I've got a very wide taste in art. I like Russian icon painters. I like Salvador Dali. It's like music. Sometimes you want to hear Led Zeppelin, and sometimes you want to hear Stravinsky. It just depends.

Sometimes beauty can be a trap.

I wanted to actually make people look at a painting. We don't look at paintings that much. We glance at them.

I think there's a real problem if you're making a film - some people have done whether it be about Jackson Pollock or about Picasso - it's difficult for actors, because they have to impersonate a person whose image is very strong in our memories or in our consciousness. It's something that's very tricky, I think.