The songs we sing invite the participation of the listener, who is central to finding a way of creating the life of the song at that listening. It's the difference between poetry and didactic writing. One tells you, 'This is it,' and the other says, 'Let's find this together.'

Most of my work for the past 25 years has been devoted to organizing demonstrations, benefits and campaigns, many of which have had the effect of bringing a policy debate to public focus or moving a political agenda forward. It's become a cliché to say 'think globally and act locally,' but it works.

To cure the violence, we must identify and heal the causes of hatred and violence. If we dont deal with the causes we will never be safe.

Such times of crisis have inevitably brought 'music of conscience' to the fore and I expect we will be hearing more and more of it in the immediate future. When people feel empowered to come together and raise their voices, also will mean raising their voices in song as well.

People may say 'What can I do? I'm only one person.' But we've proven that when we come together demonstrate, and speak our piece, there is no way the power structure can avoid being attentive.

We can only move to a long-term resolution regarding terrorism and war by planting seeds of peace. We have to start with ourselves.

A flip-flopper is an intelligent person who changes position when the circumstance changes.