Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.

My relationship to plants becomes closer and closer. They make me quiet; I like to be in their company.

I've said goodbye to the overworked notion that architecture has to save the world.

Every time I imagine a garden in an architectural setting, it turns into a magical place. I think of gardens I have seen, that I believe I have seen, that I long to see, surrounded by simple walls, columns, arcades or the facades of buildings - sheltered places of great intimacy where I want to stay for a long time.

Small museums are great. Big museums are a drag.

When I start, my first idea for a building is with the material. I believe architecture is about that. It's not about paper, it's not about forms. It's about space and material.

In order to design buildings with a sensuous connection to life, one must think in a way that goes far beyond form and construction.