There is still a real need for good quality architecture, not paper architecture, but the real stuff.

I need a close contact to the client, whoever it is, and a commitment of the client to go out and do a process together. I want to do the best for him. I need his respect and his patience. I want to work with a sophisticated person who's interested in a good building and not in my name.

My buildings should have an emotional core –a space which, in itself, has an emotional nice feeling.

Architecture has its own realm. It has a special physical relationship with life. I do not think of it primarily as either a message or symbol, but as an envelope and background for life which goes on in and around it, a sensitive container for the rhythm of footsteps on the floor, for the concentration of work, for the silence of sleep.

Architecture is exposed to life. If its body is sensitive enough, it can assume a quality that bears witness to past life.

Presence is like a gap in the flow of history, where all of [a] sudden it is not past and not future.

There is still a real need for good quality architecture, not paper architecture, but the real stuff.