I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.

Catering on planes, like on British Rail, is a standing joke, but I don't really have a problem with it. I don't quite know what people expect.

You know, a song is like a kid. You bring it up. And sometimes something you thought was going to be fantastic, by the time it's finished, is a bit of a disappointment...Beyond a certain point, the music isn't mine anymore. It's yours.

Many of the articles printed over the last few months have ended up painting a picture of me that is more than a little distorted.

Everyones a hypercrit and if you don't agree you're a liar as well

I used to go to my local pub and it was like a sanctuary, nobody dared ask for an autograph. You went in there for a ploughman's and a pint, and you went home and watched TV. Believe me, there's more to watch on British TV than American, except for CNN right now. But yeah, I miss it.

I'm writing new songs for a Broadway version of Tarzan, which is very interesting. I think what I learned from the Brother Bear score side of things, I've brought into the new Tarzan songs. Thinking outside just guitar, bass, drums and keyboards.