My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.

Doing 'EastEnders' wasn't exactly suffering, but my soul's not in quick-fix TV. Theatre doesn't pay like TV work pays, though. We all have to live, don't we?

I had a weimaraner for 11 years called China, and he was a great dog, a bit mad. They're massive, weimaraners; they've got big floppy ears. They look like a pointer, but they're liver-coloured.

Acting is a tough industry. There are a lot of kids out there at drama schools and not a lot of money about, especially as the arts are being cut.

I used to go into bars on my days off, and I decided that wasn't too good for me.

My heart's in stage. Making Quadrophenia was exciting because we were riding around on scooters with no crash helmets. But "hurry up and wait" is the anthem of films. Everybody wants you ready, and then you sit doing nothing.

I think that's what keeps you grounded - having your own life that's not directed by your job.