Part of the reason I'm writing it is to try to figure out what that is myself. It's not like I came back from Iraq and said, "We need to have a conversation, I know exactly what it is." It was just this sort of sense of something missing and then trying to write toward what that was, and to solicit from other people a sense of what that might be.

I think in America, especially today, our relationship to war is incredible distant. Yet narratives of war have such a primal power in this culture. They mainline directly into a whole series of emotional reactions and understandings of American patriotism, masculinity, and all of these other things.

I've worked hard to remember it...The problem is I'm not sure what's real memory and what's my brain filling in details, like a guy whose heart stops and he thinks he sees a bright light. Except I'm sure of my bright light.

Part of the reason I'm writing it is to try to figure out what that is myself. It's not like I came back from Iraq and said, "We need to have a conversation, I know exactly what it is." It was just this sort of sense of something missing and then trying to write toward what that was, and to solicit from other people a sense of what that might be.

Fiction is a place where people can meet, where they take the time to very seriously examine and think about the experiences of other people and about the sorts of moral decisions those characters are making.

Veteran art creates a meeting place between veterans and civilians, or simply between veterans with different experiences.

Fiction offered me tools that allowed me to approach a wider variety of issues than the events of my own life would.